Two Blankets, Three Sheets

$16.99

A humorous account of a nine-year wait

Amsterdam Airport, 1998. Samir Karim steps off a plane from Vietnam, flushes his fake passport down the toilet, and requests asylum. Fleeing Iraq to avoid conscription into Saddam Hussein’s army, he has spent seven years anonymously wandering through Asia. Now, safely in the heart of Europe, he is sent to an asylum center and assigned a bed in a shared dorm—where he will spend the next nine years. As he navigates his way around the absurdities of Dutch bureaucracy, Samir tries his best to get along with his 500 new housemates. Told with compassion and a unique sense of humor, this is an inspiring tale of survival, a close-up view into the hidden world of refugees and human smugglers, and a sobering reflection of our times.

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Translator

Genre

Pages

400

Paperback ISBN

978-1-64286-045-0

Ebook ISBN

978-1-64286-052-8

Region

Publication date

January 8, 2020

Price

$16.99

Author

Rodaan Al Galidi

Rodaan Al Galidi is a poet and writer. Born in Iraq and trained as a civil engineer, he has lived in the Netherlands since… Read more

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Book Club Questions

  1. To what extent has Al Galidi succeeded in making the endlessness of the long wait visible to you as a reader?
  2. In one review it was noted that it is surprising that How I Found the Talent for Living is not a melancholy book. To what extent do you share that opinion?
  3. Several reviewers and interviewers have called the novel humorous. How did you experience this?
  4. Many Dutch reviewers claimed Al Galidi had held up a mirror to them. What do you think they saw in that mirror? How similar is this to the situation in your own country? How confrontational was this book for you?
  5. In an interview, Al Galidi quotes Tolstoy’s statement: “The greatest freedom for us as human beings is the freedom to change our opinion.” How did How I Found the Talent for Living change your opinion about refugees and how they deal with them in your own country?
  6. In the book it becomes clear that many asylum seekers lie in order to weave their stories together. What are the main causes of this, and who can blame them?
  7. There is a whole procession of asylum seekers and their stories passing by in How I Found the Talent for Living. Which of these anecdotes or portraits struck you the most, and why?
  8. Do you think Al Galidi gives a nuanced picture of asylum seekers? Which examples of ‘good’ and ‘bad’ stories are told?
  9. How did you read the story about the period that Samir spent with dozens of other asylum seekers at the farm? With whom was your sympathy, the farmer or the asylum seekers, and why?
  10. The story is quite extensive and consists of short chapters. How did you experience this structure? And what effect did this have on the intensity of the novel?
  11. What influence could the book have if everyone reads it?
  12. How did you like the style of the writing in general?
  13. Do you think the ending is hopeful? Why, why not?

Reviews

“I’ve never read a book that better illustrates the human cost of the European asylum systems – their many flaws and deceptions, the bad faith with which small inconsistencies are used to return people to danger, the way the sympathies of a single, jaded interviewer can make or ruin a life, how a translation error carelessly entered into a file can stand as the damning proof of a lie for ever. This vital, eye-opening work is essential to our collective education, as a history, as a call to action, bringing one person’s suffering vividly to life in the imagination of strangers. And in the end that, as much as crafted stories and artful prose, gives literature its enduring power.”―Dina Nayeri

“…expertly dissects the statelessness that plagues today’s refugees…The nuanced narrative does not hide darker currents of depression or loss of personhood. A blunt and surprisingly humorous peek at an aspect of global displacement that remains largely hidden from public view.” ―Kirkus Reviews

“This frank and poetic account of a life in limbo yields a story with universal power that transcends borders and cultures, with more than a touch of Catch-22’s black humor.” —Shelf Awareness

“Rodaan Al Galidi’s Two Blankets, Three Sheets is a funny, maddening, sometimes absurd reckoning with the pettiness of the Dutch immigration system as seen by Samir, an Iraqi refugee who is stuck in an asylum centre for nine years. The novel, already a bestseller in the Netherlands, is openly autobiographical and, to be fair, the Dutch are just a stand-in for all entitled westerners and bureaucrats.”―The Guardian

“A challenging portrait of Dutch hospitality. Absolutely recommended” —The Correspondent

“The dilemma of the desire for survival set against one’s moral compass brings to mind George Orwell’s Down and Out in Paris and London; Samir’s attempts to make the best of his protracted detention has much in common with the plight of the stateless Tom Hanks in Steven Spielberg’s film The Terminal.’”—DUTCH FOUNDATION FOR LITERATURE

“Al Galidi writes this novel based on his own experiences, but he manages to cover that up so well with his fluent writing style, a sense of humor and an absence of resentment. A real feat in his case. The lighthearted way in which he writes about tragic experiences makes this a very impactful book.” —KRISTIEN HEMMERECHTS, author of The Woman Who Fed the Dogs

Two Blankets, Three Sheets is an interesting, rich novel on fear, insecurity, arbitrariness and hopelessness.” —GUUS BAUER, author of Bird Boy

“This is an unnerving, ironical book about how lives are grinded down by endlessly stretched procedures.”―Leeuwarder Courant

“Book of the month? Book of the year! Rodaan Al Galidi has been writing beautiful books for years, but this is his absolute masterpiece. Loose, light and humoristic, and precisely for these reasons the book hits home. Don’t be mistaken: stylistically, too, this book is a testament to his mastery.” ―Bookseller Van Rossum

“Don’t look any further, buy this book!” Bookseller Hijman Ongerijmd

“In all its tragedy of miscommunication, loss of identity and meaning of life, humiliations and incapacity to truly connect, it is also a very light and humorous book.” ―Literair Nederland

“You can write emails about refugees until you’re blue in the face, but you can also, thanks to the unique power of literature, spend a few hours inside the mind and soul of one of them. By reading this tragicomic masterpiece. It will do you good.” ―De Limburger

“’The asylum center,’ Al Galidi writes, ‘is a grave where the time of a few hundred people is buried.’ For this grave he has erected a memorable monument, that functions as both a complaint and a mirror. And I, for one, was ashamed of what I saw in it.” ―Tommy Wieringa, author of Joe Speedboat

“Essential reading” ―Trouw

“A stunning novel about the experiences of a refugee in a heartless regime: polder-bureaucracy thick as mud. Al Galidi holds up a mirror to us. A mirror that we should all look into.” ―Adriaan van Dis

Two Blankets, Three Sheets is a valuable and rich novel about fear, uncertainty, arbitrariness and hopelessness, written by someone who was, thankfully, able to use his new language as a lifebuoy.” ―Tzum

“Confrontational, but also humorous, Galidi provides a very complete portrait of what years of waiting in an asylum center can do to you as a human being. This is a book of absolute urgency in a time of humanitarian catastrophe that hopefully raises questions and will bring about change in our current systems. A must-read that you do not want to let go.” ―Mirjam Burger, Hebban